Adams, K., 2007. How to Improvise a Full Length Play. USA: Allworth Press.
Agamben, G., 2009. What is an apparatus? and Other Essays. Translated by Kishik, D. and Pedatella, S. USA: Stanford University Press.
Auslander, P.,1999. Liveness: Performance in a Mediatized Culture. UK: Routledge.
Bailey, D., 1993. Improvisation: Its Nature and Practice. USA: De Capo Press.
Bainbridge, C., 2007. The Cinema of Lars Von Trier Authenticity and Artifice. UK: Wallflower Press.
Barad, K., 2007. Meeting the Universe Halfway USA: Duke University Press.
Barad, K., 2001. Re(con)figuring Space, Time and Matter in Feminist Locations: Global and Local, Theory and Practice. Edited by M.DeKoven. New Brunswick: Rutgers University Press. pp.75-109.
Barrat, E. and Bolt, B., 2010. Practice as Research: Approaches to Creative Arts Enquiry. UK: I B Tauris & Co Ltd.
Baudry, J. and Williams, A., Winter, 1974-1975. Ideological Effects of the Basic Cinematographic Apparatus. Film Quarterly, Vol. 28, No. 2, USA: University of California Press. pp. 39-47
Barnard, B., Découpage. US: Caboose.
Belgrad, D., 1998. The Culture of Spontaneity: Improvisation and the Arts in Post-War America. USA: University of Chicago Press.
Berkley, L.,2011. Between chaos and control: a practice-based investigation into the creative process of an improvised micro-budget screen production. AUS: RMIT University
Bleak Moments, 1971. [film] Directed by Mike Leigh. UK.
Bogart, A. and Landau, T. (2014) The Viewpoints Book. UK. Nick Hern Books
Bogost, I., 2016. Play Anything. US: Basic Books.
Bollas, C., 2006. Being a Character. UK: Routledge.
Bollas, C., 2009. The Evocative Object World. UK: Routledge.
Bordwell, D., Staiger J. and Thompson K., 1988. The Classical Hollywood Cinema Film Style and Mode of Production to 1960. UK: Routledge.
Bordwell, D. and Thompson, K., 1990. Film Art an Introduction. USA: McGraw- Hill Publishing.
Borgo, D., 2016. Openess from Closure: the Puzzle of Interagency in Improvised Music a Neocybernetic Solution. In: Siddall, G. and Waterman, E., eds,. Negotiated Moments, Improvisation, Sound and Subjectivity. USA: Duke University Press.
Born, G., Lewis, E. and Straw, W., 2017. Improvisation and Social Aesthetics. USA: Duke University Press.
Boukoki, 1973. [film] Directed by Jean Rouch. France
Brackett. J., 2010. Some Notes on John Zorn’s Cobra. American Music, Vol. 28, No.1 (Spring 2010). USA: University of Illinois Press. pp.44-75.
Braidotti, R., 2013. The Posthuman. UK: Polity Press.
Branigan, E., 2006. Projecting a Camera: Language Games in Film Theory: UK Routledge.
Brecht, G. Direction.1963
Brecht, G. Six Doors from Water Yam.1963
Brink, J., 2007 Building Bridges The Cinema of Jean Rouch. UK: Wallflower Press.
Buckland, W. and Fairfax, D. eds., Conversations with Christian Metz Selected Interviews on Film Theory (1970-1991). NL: Amsterdam University Press
Burman, E., 2004. Boundary Objects and Group Analysis: Between Psychoanalysis and Social Theory. UK: The Group Analytic Society/Sage Publications.
Caines, R. and Heble, A. eds., 2015. The Improvisation Studies Reader.
UK: Routledge.
Carney, Ray., 2001. Cassavetes on Cassavetes. USA: Faber and Faber.
Celine et Julie vaunt en bateau / Celine and Julie Go Boating, 1974. [film] Directed by Jacques Rivette. France
Chelsea Girls, 1966. [film] Directed by Paul Morrissey and Andy Warhol. USA.
Close D., Halpern C., Johnson K., 1994. Truth in Comedy: The Manual of Improvisation. USA: Pioneer Drama Service
Cocorico Monsieur Poulet, 1974. [film] Directed by Da La Rou – Damoure Zika, Lam Ibrahima Dia, Jean Rouch. France
Collins, D., 2019. Aesthetic Possibilities of Cinematic Improvisation. Croatian Journal of Philosophy Volume 19, Issue 2, 2019 Philosophy of Art. pp. 269-295.
Colman F., ed., 2009. Film Theory and Philosophy. 2009 UK: Acumen.
Compagnie Combats Absurdes, France
The Connection,1961. [film] Directed by Shirley Clarke. USA.
Coole, D. and Frost, S., 2010. New Materialisms. USA: Duke University Press.
Costa. L. 2015. ‘Victoria’ Q&A Director Sebastian Schipper, Cinematographer Sturla Brandth Grøvlen, Actor Laia Costa, October 10th 2015, Regal Square Cinema Union Square, Manhattan, New York City. [online] Available at: https://www.youtube.com/watch?v=2aWfg16YVQo [Accessed 5th January 2018].
Dewey, J., 1934. Art and Experience. USA: Capricorn Books.
Discovering William Greaves, 2006. Produced by Debra McClutchy. USA.
Dockx, N. and Gielen. P., eds. 2018. Commonism. NL: Valiz
Dogville, 1975. [film] Directed by Lars Von Trier. Denmark.
Dolphin, R. and van der Tuin, I., 2012. New Materialism: Interviews & Cartographies. USA: Open Humanities Press.
Dwyer, B., Gomes, P., Kindred, H., 2019. KnowingUnknowing. Ireland: Fairpoint Recordings.
Eaton. M, ed.1979. Anthropology-Reality-Cinema- The Films of Jean Rouch. UK: British Film Institute
Elam, K., 1980. The Semiotics of Theatre and Drama. USA: Methuen.
Emery, D., 1973. In Character. UK: Futura.
Exhibition, 2013. [film] Directed by Joanna Hogg. UK.
Faces, 1968. [film] Directed by John Cassavetes. USA.
Fassbinder, R., 1992. Toteberg M. and Lensig, L. eds. The Anarchy of the Imagination. USA: John Hopkins University Press.
Fischlin, D., Heble, A. and Lipsitz, G., 2013. The Fierce Urgency of Now: Improvisation, Rights, and the Ethics of Co-creation. USA: Duke University Press.
Forsyth, I., Giraud, E., Hollin, G., Potts, T. 2017. (Dis)entangling Barad: Materialisms and ethics. [online] Available at: http://eprints.whiterose.ac.uk/120047
Frodsham, D. 2015. Mapping Beyond Cartography: The Experimental Maps of Artists Working with Locative Media. Mapping Hertzian Space: Pete Gomes. University of Exeter. pp. 204-220
Froger, M. 2017. Improvisation in New Wave Cinema. Beneath the Myth, the Social. Trans. Will Straw. In: Born, G. Lewis, E. Straw, W. eds., Improvisation and Social Aesthetics. USA: Duke University Press. pp. 233-251.
Galloway, A. and Ward, M., 2006. Locative Media As Socialising And Spatializing Practice: Learning From Archaeology. Leonardo Electronic Almanac. MIT Press.
Gare Du Nord, 1964. [film] Directed by Jean Rouch. France.
Gorilla Theater e.V., Germany
Gaudreault, A. and Marion, P., 2012. The Kinematic Turn Film in the Digital Era and its Ten Problems. USA: Caboose.
Gilbert, J., 2015. Common Ground, Democracy and Collectivity in an Age of Individualism. UK: Pluto Press.
Gergen, K., 2009. Relational Being. UK: Oxford University Press.
Geuens, J., 2000. Film Production Theory. USA: State University of New York Press.
Goddard, J.L. and Ishaghpour Y., 2000. Cinema. USA: Berg.
Gomes, P., 2021. Unit Model Games.
Gomes, P., 2019. Unit Model Schematic.
Gomes, P. 2002. Work, place. [Video Performance-drawing]
Gomes, P. 2003. Location, location, location. [Video Performance-drawing]
Grant. B., ed., 2008. Auteurs and Authorship: A Film Reader. USA: Wiley-Blackwell.
Grosz. E., 2017. The Incorporeal. US: Columbia University Press.
Grieveson, L. and Krämer, P. eds., 2003. The Silent Cinema Reader Paperback. UK: Routledge.
Gwinn, P. and Halpern, C. Group Improvisation. US. Meriwether Publishing
Hannah Takes the Stairs, 2007. [film] Directed by Joe Swanberg. USA
Henley, P. 2009. The Adventure of the Real Jean Rouch and the Craft of Ethnographic Cinema. USA: University of Chicago Press.
Herzog, W., 2002. Cronin, P., ed. Herzog on Herzog. UK: Faber and Faber
Hjort, M. and MacKenzie, S., eds., 2003. Purity and Provocation Dogma 95. UK: BFI Publishing
Hogg J., 2014. Interview with Joanna Hogg. Guardian Online. [online] Available at: < http://www.theguardian.com/film/2014/apr/13/joanna-hogg-film-further-dreams-exhibition-english-auteur > [Accessed 20 march 2017]
Hogg J. 2014. Joanna Hogg NFTS Masterclass: Overcoming Hurdles in Film & TV. [online]. Available at: <https://nfts.co.uk/news/exhibition-director-joanna-hogg-gives-nfts-masterclass >[Accessed 5th January 2018].
The Human Pyramid , 1961. [film] Directed by Jean Rouch. France.
Husbands, 1970. [film] Directed by John Cassavetes. USA.
I An Actress, 1977. [film] Directed by George Kuchar. USA.
Jaguar, 1967. [film] Directed by Jean Rouch. France
Jean Rouch, The Adventurous Filmmaker, 2017. [film] Directed by Laurent Védrine.
Johnston, C., 2006. The Improvisation Game: Discovering the Secrets of
Spontaneous Performance. UK: Nick Hern Books.
Johnstone, K.,2007. Impro: Improvisation and the Theatre. UK: Faber and
Faber.
Jones, A. (2015) Material Traces: Performativity, Artistic “Work,” and New Concets of Agency. The Drama Review, Volume 59, Number 4, Winter 2015 (T228) pp.18-35; USA: The MIT Press.
Kolektiv Narobov, Theatre Company, Ljubljana
Katz, S., 2004. Cinematic Motion. USA: Michael Wiese Productions
Keathley, C. and Mittell, J., 2016. The Videographic Essay Criticism in Sound & Image. USA: Caboose.
Kesler, F., 2014. Mise en scéne. USA: Caboose.
Kirby. V., 2011. Quantum Anthropologies. US: Duke University Press.
Kogan, S., 2009. The Science Of Acting. UK: Routledge.
La Chinoise, 1967. [film] Directed by Jean Luc Goddard. France.
Ladybird Ladybird, 1994. [film] Directed by Ken Loach. UK.
Landgraf, E., 2011. Improvisation as Art. USA: Bloomsbury.
Landgraf, E., 2018. Improvisation, Posthumanism, and Agency in Art (Gerhard Richter Painting). Liminalities: A Journal of Performance Studies Vol.14, No.1. pp.208-222.
The Last Movie, 1971. [film] Directed by Dennis Hopper. USA.
Latour, B., 2005. Reassembling the Social, An Introduction to Actor Network Theory. UK: Oxford University Press.
Leake, M., Davis, A., Truong, A., Agrawala, M., Computational Video Editing for Dialogue-Driven Scenes. Stanford University
& Adobe Research In: ACM Transactions on Graphics, Vol. 36, No. 4, Article 130. Publication date: July 2017.
Manovich, L., 2001. The Language of New Media. USA: MIT Press.
Martin, A., 2014. Mise En Scéne and Film Style. USA: Palgrave Macmillan.
Mcpherson, K. 2006. Making Video Dance. UK: Routledge.
McKinney, J. 2019 Scenographic materiality: Agency and Intra-Action in stage designs by Katrin Brack. In: Wiens, BE, (ed.) Contemporary Scenography: Practices and Aesthetics in German Theatre, Arts and Design. UK: Bloomsbury Publishing. pp. 57-73.
Meantime, 1971. [film] Directed by Mike Leigh. UK.
Moi un Noir, 1958. [film] Directed by Jean Rouch. France
Monaco, J., 1976. The New Wave. UK: Oxford University Press.
Moseley, N., Meisner in Practice. UK: Nick Herne Books.
Mouëllic, G., 2014. Improvising Cinema. NL: Amsterdam University Press.
Murphy, J. 2019. Rewriting Indie Cinema – Improvisation, Psychodrama and the Screenplay. USA: Columbia University Press.
Nashville, 1975. [film] Directed by Robert Altman. USA.
Nettl, B. Thoughts on Improvisation: A Comparative Approach. In: Caines, R. and Heble, A. eds., 2015. The Improvisation Studies Reader. UK: Routledge.pp.69-78
Nichols, B., 1994. Blurred Boundaries. USA: Indiana University Press
9 Songs. 2004. [film] Directed by Michael Winterbottom. UK.
Nelson, R., 2013. Practice as Research in the Arts. UK: Palgrave Macmillan.
Oida, Y., 1997. The Invisible Actor. UK: Methuen.
Opening Night, 1977. [film] Directed by John Cassavetes. USA.
O’Pray, M. 1996. Avant-Garde Film. UK: Arts Council England.
Out 1 Noli me Tangere, 1971. [film] Directed by Jacques Rivette. France.
Peters, G., 2009. The Philosophy of Improvisation. USA: University of Chicago Press.
Peters, G., 2017. Improvising Improvisation. USA: University of Chicago Press.
Piekut, B. and Lewis, G. eds., 2016. The Oxford Handbook of Critical Improvisation Studies, Volume 1. UK: Oxford University Press.
Piekut, B. and Lewis, G. eds., 2016. The Oxford Handbook of Critical Improvisation Studies, Volume 2. UK: Oxford University Press
Piekut, B,. 2018. Another Version of Ourselves: The Enigmas of Improvised Subjectivity. Liminalities: A Journal of Performance Studies Vol.14, No.1. pp.73-89.
Potter, S., 2014. Naked Cinema Working with Actors. UK: Faber and Faber
Pudovkin, V., 1966. Film Technique and Film Acting. USA: Bonanza Books.
Punishment Park, 1971. [film] Directed by Peter Watkins. USA.
Raphael, A., ed., 2008. Mike Leigh on Mike Leigh (Directors on Directors): UK: Main Edition.
Reekie, D., 2007. Subversion. UK: Wallflower Press.
Rees. A.,1999. A History of Experimental Film and Video. UK: British Film Institute.
La Règle du jeu. 1939. [film] Jean Renoir. France.
Rio, E., 2008. Deleuze and the Cinemas of Performance. UK: Edinburgh University Press.
Renoir, J., 1989. Renoir on Renoir. Translated from French by C. Volk. US:
Cambridge University Press.
Rouch, J., 2003. Ciné-Ethnography. Translated from French by S. Feld University of Minnesota Press.
Rosenbaum, J., 1975. Improvisations and Interactions in Altmanville. Sight & Sound, 44, No. 2, Spring, pp. 90–95.
Rosenbaum, J., 1977. Rivette Texts and Interviews. UK: British Film Institute.
Rothman, W., 1997. Documentary Film Classics. USA: Cambridge University Press.
Rouch, 2003. Cine-Ethnography. Trans. Feld.S. USA: University of Minnesota Press.
Rovelli, C., 2016, Seven Brief Lessons on Physics. UK: Penguin.
Rovelli, C., 2016, Reality is not What it Seems. UK: Penguin.
Ruiz, R., 2005. The Poetics of Cinema 2. France: Disvoir.
Ruiz, R., 2007. The Poetics of Cinema 2. France: Disvoir.
Rushton, R., 2011. The Reality of Film. UK: Manchester University Press.
Schön, D.,1983. The Reflective Practitioner. UK: Ashgate.
Schöning, P., Manifesto for a Cinematic Architecture. UK: Architectural Association.
Scott, J., 2015. Matter Mattering: ‘Intra-activity’ in live media performance. UK:University of Salford
Sellors, C., 2010. Film Authorship, Auteurs and Other Myths. UK: Wallflower Press.
Shadows, 1959. [film] Directed by John Cassavetes. USA.
Shame, 1968. [film] Directed by Ingmar Bergman. Sweden.
Shepherd, D. 2004. …that movie in your head. USA: Gere Publishing.
Shotter, J., 2014. Agential realism, social constructionism, and our living relations to our surroundings: Sensing similarities rather than seeing patterns. Theory & Psychology, Vol.24 (3) pp.305-325.
Shotter, J., 2016. Speaking, Actually. US: Everything is Connected Press.
Shotter, J. 2011. Reflections on sociomateriality and dialogicality in organization studies: fromom ‘inter-‘ to ‘intra-thinking’…in performance practices. In: Perspectives on Process Organization Studies (P-PROS), Vol. 3 proceedings of Third International Symposium on Process Organization Studies. Corfu, June 16th-18th 2011.
Should I Stay or Should I Go?, 2015. [film] Directed by Beatrix Brunschko, Ludger Lemper, Maja Dekleve Lapajne, Philippe Muyard, Klaus Salminem. E.U.
Siddall, G. and Waterman, E., eds., 2016. Negotiated Moments: Improvisation, Sound, and Subjectivity. USA: Duke University Press.
Simbiopsychotaxiplasm, 1968. [film] Directed by William Greaves. USA.
Simbiopsychotaxiplasm Take 2 ½, 2003. [film] Directed by William Greaves. USA.
Smith, H. and Dean, R., 1997. Improvisation, Hypermedia and the Arts since 1945. AUS: Routledge.
Smith, H. and Dean, R. eds., 2009. Practice-led Research, Research-led Practice in the Creative Arts. UK: Edinburgh University Press.
Spolin,V., 1999. Improvisation for the Theater. USA: Northwestern University Press
Spottiswode, R., 1951. Film and Its Techniques. USA: University of California Press.
Stern, N., 2013. Interactive Art and Embodiment. UK: Gylphi.
Stevens, J., 1985. Search and Reflect. UK:Caligraving Ltd.
Stephenson R. and Phelps, P. 1965. Cinema as Art. UK: Penguin.
Stockholms Improvisationsteater, Sweden
Stoller, P., 1992. The Cinematic Griot, the Ethnography of Jean Rouch. US:University of Chicago Press.
Summerscale, K., 2012. The Queen of Whale Cay: The Extraordinary Story of ‘Joe’ Carstairs, the Fastest Woman on Water.UK: Bloomsbury.
Syssoyeva. K., ed., 2013. A History of Collective Creation. USA: Palgrave Macmillan
Ten, 2002. [film] Directed by Abbas Kiarostami. Iran.
Tangerine, 2015. [film] Directed by Sean S. Baker. USA.
Theatre im Bahnhof, Austria
Toop, D., 2016. Into the Maelstrom: Music, Improvisation and the Dream of Freedom, Volume 1. UK: Bloomsbury.
Trinh. M, 1992, Framer Framed. UK: Routledge.
Ventura, M., 2007. Cassavetes Directs.UK: Kamera Books.
Victoria, 2015. [film] Directed by Sebastian Schipper. Germany.
Vilc, S., 2015. Collective Improvisation From Theatre to Film and Beyond. Slovenia: Kolektiv Narobov.
Villa, S. 2017. Improvisatory Practices and the Dawn of the New American Cinema. In: Piekut, B. and Lewis, G. eds. 2016. The Oxford Handbook of Critical Improvisation Studies, Volume 2. UK: Oxford University Press.
Watkins, P. 2004. Interview with Director Peter Watkins [online]
Available at: <https://www.youtube.com/watch?v=jxb0ed9izis> [Accessed 20 December 2020].
West, R. podcast
Wexman, V., 1980. The Rhetoric of Cinematic Improvisation. Cinema Journal Vol 20. No 1 (Autumn 1980) pp. 29-41. USA: University of Texas Press
Why does Herr R Run Amok?, 1970. [film] Directed by Rainer Werner Fassbinder. Germany.
Wiener, D., 1994. Rehearsals for Growth: Theater Improvisation for Psychotherapists. US: Norton.
Willats, S., The Artist as an Instigator of Changes in Social Cognition and Behaviour. UK: Occasional Papers.
Winnicott, D., 1971. Playing and Reality. UK: Routledge.
A Woman Under the Influence, 1974. [film] Directed by John Cassavetes. USA.
Zaporah, R., 1995. Action Theatre- The Improvisation of Presence. USA: North Atlantic Books.
Zooey & Adam, 2009. [film] Directed by Sean Garrity. Canada
Zorn, J., 1984. Cobra [score]